Documentary production

LES VOIX DE LA SAGESSE 

Four elders from Mon­tréal-Nord come togeth­er to share their per­spec­tives on aging. This film also high­lights engaged seniors for whom aging is syn­ony­mous with com­mu­ni­ty involvement.

A cul­tur­al medi­a­tion project led by Julie Lan­glois, cre­at­ed in col­lab­o­ra­tion with the Cen­tre d’Ac­tion Bénév­ole de Montréal-Nord.

Direc­tion and screen­play: Marie-Josée Lafontant, Ray­monde Muse, Manon Thibault, Robert Gamache, and Cinthya Dietz.

Pro­duced by Funam­bules Médias.

The many routes to reaffiliation 

Wind­ing roads strewn with pit­falls, chal­lenges and great victories. 

Home­less sur­vival tra­jec­to­ries in Laval 

Peo­ple expe­ri­enc­ing home­less­ness in Laval share touch­ing sto­ries of their lives. 

Let’s go fur­ther together 

The move­ment to defend the rights of peo­ple with dis­abil­i­ties and their fam­i­lies was born in Que­bec in the 1970s, in the wake of mobi­liza­tions by oth­er oppressed and dis­crim­i­nat­ed social groups. A young move­ment, it rapid­ly gained momen­tum and made sev­er­al impor­tant gains in the 80s and 90s. Since the 2000s, like the com­mu­ni­ty move­ment as a whole, it has lost some of its strength, weak­ened both by the neolib­er­al poli­cies of suc­ces­sive gov­ern­ments and by the wan­ing mil­i­tan­cy of dis­abled peo­ple and their parents.

Pro­duced by Mou­ve­ment des per­son­nes hand­i­capées pour l’accès aux ser­vices (PHAS), in col­lab­o­ra­tion with Funam­bules Médias.

The Future 

The col­lec­tive con­struc­tion of a pas­sive solar greenhouse. 

From prison to prison 

Every month in Que­bec, hun­dreds of pris­on­ers are released after serv­ing their sen­tences. What hap­pens to them once they’re released? And what kind of free­dom do they find on the oth­er side of the bars?

From prison to prison doc­u­ments the jour­ney of three ex-pris­on­ers as they attempt to rein­te­grate into soci­ety. The film gives the var­i­ous offend­ers the oppor­tu­ni­ty to talk about their pre­car­i­ous dai­ly lives, uncer­tain futures and trou­bled pasts. Unvar­nished and unabashed, with­out com­pla­cen­cy or voyeurism, the film bears wit­ness to that frag­ile moment when the hope of a new begin­ning can be top­pled for bet­ter or worse.